Marlowe Evans
Marlowe Evans
Originally from Maple Ridge, British Columbia, Marlowe came to the University of New Brunswick to pursue a bachelor’s degree in political science.
January 17, 2019

George Fry Gallery Brings Light to Queer Artists

Chase Benjamin Plourde’s Self-Made Man | Photo by Marlowe Evans

Marc Braithwaite, director of the New Brunswick College of Craft and Design, stood before an audience at the opening of the George Fry Gallery’s latest exhibition and recalled how it used to be hard for Fredericton to organize Pride events. He remembered how, for decades, LGBTQ+ voices in the community were spoken over or silenced. Now, with the Queer Bodies, Queer Narratives exhibition, that silence is being broken.

The George Fry Gallery’s new exhibition features artists and creators from the LGBTQ+ community and aims to highlight the nuances of queer expression. Including pieces by Séamus Lee Hayes, Kyle Kirby, Chase Benjamin Plourde, Dusty Green, Erin Fredericks, Vincent Briggs, and Boy Venus, each part of the exhibit tells an important part of New Brunswick’s queer history. The exhibition incorporates many artistic mediums, from video and sculptures to painting and textiles.

At the opening of the exhibition, Lieutenant Governor Jocelyne Roy-Vienneau said that in Fredericton, “We celebrate one another.” The palpable celebration in the room felt long overdue.

Kyle Kirby poses with his textile collection, “Guillotine” | Photo by Marlowe Evans

The gallery features an audio-visual installation by Boy Venus called Your Silence Will Not Protect You, which uses cacophonous audio and video clips playing simultaneously on multiple screens to tell the story of the AIDS crisis. Listening to the Lieutenant Governor’s speech and then experiencing Venus’ installation underlined the necessity of queer narratives.

The gallery then shifts into textiles. Kyle Kirby’s Guillotine collection consists of several 18th century French-style dresses with a twist. Instead of using typical materials, Kirby employs spikes, fishnet and powerful, bold colours to convey the importance of moving away from the conventional.

“My main inspiration was being loud,” Kirby said. “I like being myself – to me, that’s being flashy and extravagant. I had drag queens modelling [the dresses].”

Kirby explained that he became involved in the Queer Bodies exhibit after one of the curators reached out to him. “She knows I stand out in the community, I’m recognizable.”

Featured artists will return to the gallery for a panel discussion on Jan. 9. The Queer Bodies, Queer Narratives exhibition remains on display at the George Fry Gallery until Jan. 10.

Photo Captions: Kyle Kirby poses with his textile collection, “Guillotine.”

Vincent Briggs’ Monster Waistcoat and concept sketches

Chase Benjamin Plourde’s Self-Made Man

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